Four affordable courses about editorial design and typography

I’m not a graphic designer, but I am interested in how they work on magazines, posters, and other written materials. I studied the history of art with a focus on printed ephemera at university, so you could say that this is a lifelong interest.

To learn more about the people who make printed products attractive, legible, and readable, I’ve been auditing courses on Coursera. Here are four courses I’m following at the moment:

Graphic Design Theory – Hierarchy

Graphic Design Theory – Print Design

Textual Elements of Design – Fonts, Typography, and Spacing

Introduction to Typography

All four courses are delivered through videos and short readings. They explain key concepts in a simple and straightforward way. I’d recommend them to anyone who wants to understand why graphic designers still matter in the age of AI. Their work is about far more than “making things look pretty.” They’re communicators who think carefully about how people interact with digital and printed surfaces.

The “Hierarchy” course explains how graphic designers use the appearance and positioning of letters and numerals to help readers find the information they need. The “Print Design” course, led by the same teacher, expands these principles into the world of printed products such as magazines.

The typography courses focus on typefaces (e.g. Baskerville, Helvetica, Arial) and their impact on readers. They both explain technical terms. “Introduction to Typography” does a deep dive into the history of different lettering. I particularly enjoyed that because I tend to notice variations in typeface across different time periods and cultures.

If you know of similar courses, you’re welcome to drop me a line.

A personal response to “Britain’s Slave Traders”

I’ve just finished reading Britain’s Slave Traders, a new book by William A. Pettigrew. It’s about the people who took part in the African slave trade as investors, organisers, and supporters. (It is not a history of the experiences of trafficked Africans.)

The author aims to rebalance the common understanding of English and British* participation in the trafficking of African people. Traditionally, we have tended to prioritise the end of the trade when talking about this crime against humanity. The beginning and the middle are less widely understood. Pettigrew traces this “national amnesia” back to the self-congratulatory discourse surrounding the abolition movement itself.

My history education left me with the impression that slave trading was the responsibility of merchants and ships’ captains. Surprisingly to me, this is how the trade was framed in abolitionist discourse.

I didn’t know that it was also encouraged and cultivated by the monarchy, parliament, the aristocracy, major institutions, leading figures in intellectual, cultural, and scientific history, and thousands of investors across the country.

I didn’t know that discussions about the slave trade were tied in with conversations about economics, monopolies, English freedom, the prospering of English society, and international rivalries. I also wasn’t aware of how closely famous historical figures such as Elizabeth I, Robert Dudley, Charles II, Samuel Pepys, John Locke, Daniel Defoe, Sir Godfrey Kneller, John Arbuthnot (inventor of the John Bull character), and Voltaire were entwined in the story. Or of the connections between the slave trade and art, the growth of the stock market, and regional development (e.g. Liverpool).

Certain things run through long periods of English history like threads through a tapestry. If you don’t look at them, you don’t really see the full picture of England.

The break with Rome, subsequent persecution of Catholics, fear of invasion by Catholic powers, and national self-definition as Protestant-not–Catholic is an example of this kind of thread. For centuries, numerous things were said and done because of it. If we don’t look at the attitudes to Roman Catholics across those years, we’re left with a huge hole in our understanding of English history.

England’s callous role in the African slave trade is another such thread. It lasted for more than two centuries. When we don’t understand the extent of English complicity in the trade, we don’t truly understand the period. It touched many people’s lives in multiple ways. As Pettigrew explains, the profits of human trafficking helped to reshape British society.

Not understanding also affects our ability to think about the past’s continuing impact on the present.

I think Pettigrew’s book will help British readers have better global, national, and local conversations about the trafficking of African people.

I also think it should be on the reading list of every person interested in the England of the 16th to 18th centuries, whatever their main scholarly interest.

I suspect that people who aren’t genuinely interested in history probably won’t read the whole book. At times, it reads like a London-focused political and economic history, which is not to everyone’s taste.

But I don’t think that’s a problem. If Pettigrew’s research seeps into the national general knowledge over the next few years and becomes part of our commonly held story, the book will have done its job.

Before reading Britain’s Slave Traders, I wondered if it would change how I felt about the UK’s past. I think it has, but on a sliding scale.

My view of Elizabeth I (reigned 1558 to 1603) and her courtiers hasn’t really changed. The Tudors were brutal monarchs living in a bloody age.

Reading about Charles II and the aristocrats who encouraged the slave trade, I started to think seriously about the case for reparations. The Crown owes its current existence to the Restoration of Charles II in 1660. Therefore, I’d argue that the Crown’s past involvement with slavery is still relevant to the Crown today. In a metaphysical sense, the Crown is an ancient institution – far older than whoever is monarch at the time.

The book has changed my view of the 18th century, the Age of Enlightenment. By this point, society was drawing closer to our modern way of thinking. The evidence of slavery’s brutality was available, but its supporters developed and embraced ideas that dehumanised Africans to justify their continued profit-seeking. Sir Hans Sloane witnessed the brutality of slavery firsthand, but pioneered influential racist theories that excused it in the minds of his contemporaries. I’m disgusted by him.

I had expected better of the 18th century because I was distracted by the sensibility, elegance, and sophistication of its cultural and intellectual life. It is especially galling that liberty was part of the national image at a time when increasing numbers of Britons were taking away the freedom of Africans.

I also wonder how much eyewitness information passed around by word of mouth among the general population, at all levels. The people who worked directly with slave traders and their ships had friends and families. How many stories circulated and what did the average person think?

* I’ve deliberately not mentioned Scotland and Wales in this blog post as Pettigrew’s book largely focuses on England. It does, however, mention the significance of slavery to Welsh copper, as well as to Scotland and the Act of Union.

A visit to Stori Brymbo

I went to Stori Brymbo, Wrexham, to see a 300-million-year-old fossil forest. The fossils are just one part of this heritage attraction, which is on the site of an old steelworks.

When looking around, I joked, “There’s something for everyone at Stori Brymbo.” It’s not entirely true. But if you’re interested in nature walks, industrial history, post-industrial communities, coal, fossils, or photography, you’ll be glad you visited.

The site isn’t fully wheelchair accessible. However, I saw online that Stori Brymbo can offer support for people who are able to ride in a 4×4 vehicle. You’ll need to contact them ahead of time to talk about arrangements.

I enjoyed photographing the ruins and looking at the wide variety of ferns. I also came away with a better appreciation of the relationship between industrial employers and small communities.

The site was an ironworks and then steelworks, in operation from 1796 to 1990. This means it was a multi-generational local employer. I can only imagine the emotional attachment I’d feel to a place that employed my parents, grandparents, and great-grandparents.

Here are a few of the photos I took.

Matchbooks, a block of paper, a brochure covered with signatures, and a photograph wrapped in plastic.
A display of Brymbo steelworks souvenirs; it was common for companies to produce items like these for their employees and customers in the second half of the 20th century.
Museum display board. Text reads: "Then, in 1990, it all stopped. Despite receiving almost £50m of investment in 1976 (equivalent to almost £400m today), owners United Engineering Steels made the decision to close the works. On the 27th September 1990, Brymbo's furnaces were tapped for one last time and almost 200 years of operations came to an end."
Brymbo is in Wales, so the museum display boards are in Welsh and English. This is from a part of the exhibition that focuses on 20th-century workers at Brymbo Steelworks.
Two metal towers with the Sun behind them. High walls but no roof. The area looks like an open courtyard.
The two tall furnaces in the background were added in the 1970s. There used to be a roof above where I was standing.
The remains of a metal machine set into the wall. An arch of old brickwork and a buttress of brick.
There are lots of industrial remains to photograph at Stori Brymbo.
Metal frames, including a staircase. Once part of the steelwork's interior. Now these structures stand out in the open.
Remains of the old steelworks at Stori Brymbo
A very big green vehicle with patches of rust and vegetation growing around it.
This vehicle was used in the reclamation of the site.
A fossilised fern frond
Some of the fossils found at Brymbo Fossil Forest
Exposed bedrock inside a building. Small tree trunks poke up from the ground.
This is the fossil forest itself. I didn’t go on the guided tour offered by Stori Brymbo, but rather wished I had. Sites like these need experts to bring them alive. However, I did enjoy my visit and I found some interesting videos about Brymbo Fossil Forest on YouTube afterwards. The video below introduces a medieval mineshaft packed with fossils.

At the end of my visit, I bought a small piece of the fossil forest from Stori Brymbo’s shop. It’s 314 million years old, which is an inconceivable length of time. I’m boggled just thinking about it!