RCA webinar on editorial design

I enjoyed watching this Royal College of Art webinar about editorial design in “the post-reading era.” Jeremy Leslie (of magCulture), Astrid Stavro, and Adrian Shaughnessy shared their experiences and observations in a conversation and then answered viewers’ questions.

They gave examples of their favourite books and magazines. If you watch the video, look out for the Anne Frank book. Its designer used a clever layout to represent the teenager’s experience of hiding from the Nazis.

They also spoke about people turning to beautifully designed and fact-checked printed objects as a kind of escape from AI products.

I was particularly struck by one speaker’s story about design choices that didn’t do justice to a writer’s words. It reinforced that the visual appearance of a page can make or break the reader’s experience.

I’m not an editorial designer myself. I’m an admirer, interested in editorial design from an art historical point of view. However, watching this talk did encourage me to buy a couple of books about magazine making. I will try making my own magazine, just to see what it feels like.

Four affordable courses about editorial design and typography

I’m not a graphic designer, but I am interested in how they work on magazines, posters, and other written materials. I studied the history of art with a focus on printed ephemera at university, so you could say that this is a lifelong interest.

To learn more about the people who make printed products attractive, legible, and readable, I’ve been auditing courses on Coursera. Here are four courses I’m following at the moment:

Graphic Design Theory – Hierarchy

Graphic Design Theory – Print Design

Textual Elements of Design – Fonts, Typography, and Spacing

Introduction to Typography

All four courses are delivered through videos and short readings. They explain key concepts in a simple and straightforward way. I’d recommend them to anyone who wants to understand why graphic designers still matter in the age of AI. Their work is about far more than “making things look pretty.” They’re communicators who think carefully about how people interact with digital and printed surfaces.

The “Hierarchy” course explains how graphic designers use the appearance and positioning of letters and numerals to help readers find the information they need. The “Print Design” course, led by the same teacher, expands these principles into the world of printed products such as magazines.

The typography courses focus on typefaces (e.g. Baskerville, Helvetica, Arial) and their impact on readers. They both explain technical terms. “Introduction to Typography” does a deep dive into the history of different lettering. I particularly enjoyed that because I tend to notice variations in typeface across different time periods and cultures.

If you know of similar courses, you’re welcome to drop me a line.

A personal response to “Britain’s Slave Traders”

I’ve just finished reading Britain’s Slave Traders, a new book by William A. Pettigrew. It’s about the people who took part in the African slave trade as investors, organisers, and supporters. (It is not a history of the experiences of trafficked Africans.)

The author aims to rebalance the common understanding of English and British* participation in the trafficking of African people. Traditionally, we have tended to prioritise the end of the trade when talking about this crime against humanity. The beginning and the middle are less widely understood. Pettigrew traces this “national amnesia” back to the self-congratulatory discourse surrounding the abolition movement itself.

My history education left me with the impression that slave trading was the responsibility of merchants and ships’ captains. Surprisingly to me, this is how the trade was framed in abolitionist discourse.

I didn’t know that it was also encouraged and cultivated by the monarchy, parliament, the aristocracy, major institutions, leading figures in intellectual, cultural, and scientific history, and thousands of investors across the country.

I didn’t know that discussions about the slave trade were tied in with conversations about economics, monopolies, English freedom, the prospering of English society, and international rivalries. I also wasn’t aware of how closely famous historical figures such as Elizabeth I, Robert Dudley, Charles II, Samuel Pepys, John Locke, Daniel Defoe, Sir Godfrey Kneller, John Arbuthnot (inventor of the John Bull character), and Voltaire were entwined in the story. Or of the connections between the slave trade and art, the growth of the stock market, and regional development (e.g. Liverpool).

Certain things run through long periods of English history like threads through a tapestry. If you don’t look at them, you don’t really see the full picture of England.

The break with Rome, subsequent persecution of Catholics, fear of invasion by Catholic powers, and national self-definition as Protestant-not–Catholic is an example of this kind of thread. For centuries, numerous things were said and done because of it. If we don’t look at the attitudes to Roman Catholics across those years, we’re left with a huge hole in our understanding of English history.

England’s callous role in the African slave trade is another such thread. It lasted for more than two centuries. When we don’t understand the extent of English complicity in the trade, we don’t truly understand the period. It touched many people’s lives in multiple ways. As Pettigrew explains, the profits of human trafficking helped to reshape British society.

Not understanding also affects our ability to think about the past’s continuing impact on the present.

I think Pettigrew’s book will help British readers have better global, national, and local conversations about the trafficking of African people.

I also think it should be on the reading list of every person interested in the England of the 16th to 18th centuries, whatever their main scholarly interest.

I suspect that people who aren’t genuinely interested in history probably won’t read the whole book. At times, it reads like a London-focused political and economic history, which is not to everyone’s taste.

But I don’t think that’s a problem. If Pettigrew’s research seeps into the national general knowledge over the next few years and becomes part of our commonly held story, the book will have done its job.

Before reading Britain’s Slave Traders, I wondered if it would change how I felt about the UK’s past. I think it has, but on a sliding scale.

My view of Elizabeth I (reigned 1558 to 1603) and her courtiers hasn’t really changed. The Tudors were brutal monarchs living in a bloody age.

Reading about Charles II and the aristocrats who encouraged the slave trade, I started to think seriously about the case for reparations. The Crown owes its current existence to the Restoration of Charles II in 1660. Therefore, I’d argue that the Crown’s past involvement with slavery is still relevant to the Crown today. In a metaphysical sense, the Crown is an ancient institution – far older than whoever is monarch at the time.

The book has changed my view of the 18th century, the Age of Enlightenment. By this point, society was drawing closer to our modern way of thinking. The evidence of slavery’s brutality was available, but its supporters developed and embraced ideas that dehumanised Africans to justify their continued profit-seeking. Sir Hans Sloane witnessed the brutality of slavery firsthand, but pioneered influential racist theories that excused it in the minds of his contemporaries. I’m disgusted by him.

I had expected better of the 18th century because I was distracted by the sensibility, elegance, and sophistication of its cultural and intellectual life. It is especially galling that liberty was part of the national image at a time when increasing numbers of Britons were taking away the freedom of Africans.

I also wonder how much eyewitness information passed around by word of mouth among the general population, at all levels. The people who worked directly with slave traders and their ships had friends and families. How many stories circulated and what did the average person think?

* I’ve deliberately not mentioned Scotland and Wales in this blog post as Pettigrew’s book largely focuses on England. It does, however, mention the significance of slavery to Welsh copper, as well as to Scotland and the Act of Union.